Clerk, Jayana (ed.); Ruth Siegel (ed.);
Modern literatures of the non-Western world: where the waters are born
HarperCollins College Publishers, 1995, 1223 pages
ISBN 0065012690, 9780065012699
topics: | literature | | world | fiction | poetry | anthology
modernized the tanka - a form of poetry earlier focused on the beauty of nature etc, focusing instead on psychological drama. 1901 published Midaregami (tangled hair) w 399 tankas.
Last autumn
The three of us tossed acorns
To the scattering carp.
Now in the cold morning wind off the pond
He and I stand hand in chilling hand.
(tr. Kenneth Rexroth and Ikuko Atsumi) p.16
I am so ashamed, my friend. Hearing your song
I tremble in shame.
That is because I hear your song alone -- I, who have parted
from my love. -p.19 tr. David McCann
hope cannot be said to exist, nor can it be said not to exist. It is just
like roads across the earth. For actually the earth had no roads to begin
with, but when many men pass one way, a road is made.
- tr. Yang Hsien-Yi and Gladys Yang
(tr. Howard Hibbet) Seikichi is the most artistic tattoer of Edo (Tokyo, around late 18th c., perhaps). A former ukiyoye painter, some of his art has survived his "decline to the status of a tattooer". His artful tattoos are famous for "unrivaled booldness and sensual charm". Deep in his heart the young tattooer concealed a secret pleasure, and a secret desire. His pleasure lay in the agony men felt as he drove his needle into them, torturing their swollen, blood-red flesh; and the louder they groaned, the keener was Seikichi's strange delight. 30 While he has tattoed many men, it is his dream to tattoo a woman. His woman will kill torture and kill many men with her beauty, like a black widow.
(p. 35-43, tr. Kojima Takahashi) from Paul Varley's Japanese Culture: A sickly but intellectually precocious youth, Akutagawa compiled a brilliant academic record throughout a school career that led to graduation from the English Literature department of Tokyo Imperial University in 1916. So extensive was his knowledge of the literature and scholarship (especially philosophy) of Japan, China, and the West that one his contemporaries even declared him to be the best-read man of his generation.2l Akutagawa published his first short story in a literary journal in 1914, and for the remainder of his brief life concentrated almost exclusively on the short-story form. A recent commentator has suggested much about Akutagawa's writing in asserting that the European artist who could best have illustrated his stories was Aubrey Beardsley. Like Beardsley, Akutagawa had a “superlative technique,” provided an “abundance of decorative detail,” and had a great “love of grotesques.”2~ The fascination of Akutagawa's handling of ancient tales as the material for his stories lies not only in the powerful narrative style in which he presents them but also in his exceptional ingenuity in probing the psychological forces-often bizarrely surprising-that may have lain behind the tales. Akutagawa's suicide in 1927 by means of an overdose of sleeping pills was one of the most sensational news events of its time. He had long suffered from various physical ailments and from fits of mental depression, and he may even have been schizophrenic. Still, the apparent care and deliberateness with which he planned his death chillingly implied to many people a far more profound intellectual and emotional despair. In his suicide note Akutagawa referred only to a feeling of “vague anxiety,” but others have chosen to interpret his act, on the one hand, in broadly social terms (for example, as a protest against the moral vacuity of Taishō- early Shōwa” life) and, on the other hand, as an inevitable end result of the predominantly negative aspect of creativity observable in so many modern Japanese writers. If one accepts the latter thesis, Akutagawa may be seen as setting the model for the suicides in the post-World War I1 period of Dazai Osamu and Mishima Yukio. Akutagawa's In a Grove (1921) was adapted by Akira Kurosawa into "Rashomon". Akutagawa also wrote a story called "Rashomon" but it is completely different.
an early modernist short story consisting of seven varying accounts of the murder of a samurai, Kanazawa no Takehiro, whose corpse has been found in a bamboo forest near Kyoto. Each section simultaneously clarifies and obfuscates what the reader knows about the murder, eventually creating a complex and contradictory vision of events... Plot summary The story opens with the account of a woodcutter who has found a man's body in the woods. The woodcutter reports that man died of a single sword slash to the chest, and that the trampled leaves around the body showed there had been a violent struggle, but otherwise lacked any significant evidence as to what actually happened. There were no weapons nearby, and no horses—only a single piece of rope, a comb and a lot of blood. The next account is delivered by a traveling Buddhist priest. He says that he met the man, who was accompanied by a woman on horseback, on the road, around noon the day before the murder. The man was carrying a sword, a bow and a black quiver. All of these, along with the woman's horse, a tall, short-maned palomino, were missing when the woodcutter discovered the body. The next person to testify is a ho-men (??, a released prisoner working under contract to the police, similar to a bounty hunter). He has captured an infamous criminal named Tajo-maru. Tajo-maru was injured when thrown from a horse (a tall, short-maned palomino), and he is carrying a bow and a black quiver, which do not belong to his usual arsenal. This proves, he says, that Tajo-maru was the perpetrator. Tajo-maru was not carrying the dead man's sword, however. The next testimony is from an old woman, who identifies herself as the mother of the missing girl. Her daughter is a beautiful, strong-willed 19-year-old named Masago, married to Kanazawa no Takehiro—a 26-year-old samurai from Wakasa. Her daughter, she says, has never been with a man other than Takehiro. She begs the police to find her daughter. Next, Tajo-maru confesses. He says that he met them on the road in the forest, and upon first seeing Masago, decided that was going to rape her. In order to rape Masago unhindered, he separated the couple, luring Takehiro into the woods with the promise of buried treasure. He then stuffed his mouth full of leaves, tied him to a tree and fetched Masago. When Masago saw her husband tied to the tree, she pulled a dagger from her bosom and tried to stab Tajo-maru, but he knocked the knife out of her hand, and he had his way with her. Originally, he had no intention of killing the man, he claims, but after the rape, she begged him to either kill her husband or kill himself—she could not live if two men knew her shame. She would leave with the last man standing. Tajo-maru did not wish to kill the Takehiro in a cowardly manner, so he untied him and they had a swordfight. During the duel, Masago fled. Tajo-maru dispatched the man and took the man's sword, bow, and quiver, as well as the woman's horse. He says that he sold the sword before he was captured by the bounty hunter. The second-to-last account is that of Masago. According to her, after the rape, Tajo-maru fled, and her husband, still tied to the tree, looked at her with great disdain. She was ashamed that she had been raped, and no longer wished to live, but she wanted him to die with her. He agreed, or so she believed—he couldn't actually say anything because his mouth was still stuffed full of leaves—and she plunged her dagger into his chest. She then cut the rope that bound Takehiro, and ran into the forest, whereupon she attempted to commit suicide numerous times, she said, but her spirit was too strong to die. Of all of the accounts of the crime, the woman's is arguably the least believable, and in great discordance with the other two. At the end of her confession, she weeps. The final account comes from Takehiro's ghost, as delivered through a spirit medium. The ghost says that after the rape, Tajo-maru persuaded Masago to leave her husband and become his own wife, which she agreed to do under one condition: He would have to kill Takehiro. Tajo-maru became enraged at the suggestion, kicked her to the ground, and asked Takehiro if he should kill the dishonorable woman. Hearing this, Masago fled into the forest. Tajo-maru then cut Takehiro's bonds and ran away. Takehiro grabbed Masago's fallen dagger and plunged it into his chest. Shortly before he died, he sensed someone creep up to him and steal the dagger from his chest. Throughout, it is obvious that he is furious at his wife.
Preface
Part 1: East Asia - Japan, Korea And China
Introduction 3
Yosano Akiko (1878-1942) [Japan] 15
Three Modern Tanka: Purple Butterflies, Last Autumn; The day when mountains move
Han Yong-Un (1879-1944) [Korea] 17
Ferryboat and Traveler; On Tagore's “The Gardener"
Lu Xun (Lu Hsun, 1881-1944) [China] 19
My Old Home
Tanizaki Junichiro (1886-1972) [Japan] 28
The Tattooer
Akutagawa Ryunosuke (1892-1927) [Japan] 35
In a Grove
Mao Zhedong (Mao Tse Tung, 1893-1976) [China] 43
Swimming
Mao Dun (Mao Tun, 1896-1982) [China] 45
Spring Silkworms
Kawabata Yasunari (1899-1972) [Japan] 65
The Silver Fifty-Sen Pieces
Kim Sowol (1902-1934) [Korea] 70
The Road
Ding Ling (1904-1986) [China] 71
A Certain Night
Enchi Fumiko (1905-1986) [Japan] 76
Boxcar of Chrysanthemums
Hirabayashi Taiko (1905-1972) [Japan] 90
A Man's Life
Kato Shuson (b. 1905) [Japan] 103
Three Modern Haiku
Yi Sang (1910-1937) [Korea] 105
Wings
Xiao Hong (Hsiao Hung, 1911-1942) [China] 119
The Crossroads
Hwang Sun-Won (b. 1915) [Korea] 124
Cranes
So Chong-Ju (b. 1915) [Korea] 129
The Huge Wave
Chi' Chun (b. 1918) [Taiwan] 130
The Chignon
Abe Kobo (b. 1924) [Japan] 135
The Red Cocoon
Mishima Yukio (1925-1970) [Japan] 139
The Damask Drum
Kim Namjo (b. 1927) [Korea] 156
Having Come to the Mountain
Ariyoshi Sawako (1931-1984) [Japan] 157
Tomoshibi
Ko Un (b. 1933) [Korea] 171
Lee Chongnam
Tomioka Taeko (b.1935) [Japan] 173
Just the Two of Us
Bai Xian-Yong (Pai Hsien- yung, b. 1937) [Taiwan] 175
A Sea of Blood-Red Azaleas
Jia-Lin Peng (b. 1948) [China] 185
What's in a Name
Bei Dao (b. 1949) [China] 185
Electric Shock; Language
Part 2: South Asia, Southeast Asia, Australia, and New Zealand 195
Introduction
Rabindranath Tagore (1861-1941) [India] 207
Chandalika; Where the Mind is Without Fear
Ho Chi Minh (1890- 1969) [Vietnam] 217
Noon; Transferred to Nanning
R. K. Narayan (b. 1909) [India] 219
Trail of the Green Blazer
Raja Rao (b. 1909) [India] 224
Companions
Faiz Ahmed Faiz (1910-1984) [Pakistan] 231
Ghazal
Umashankar Joshi (1911-1988) [India] 233
the Universal Man
Bienvenido N. Santos (b. 1911) [Philippines] 245
Footnote to a Laundry List
Amador Daguio (b. 1912) [Philippines] 245
Wedding Dance
Saadat Hasan Manto (1912-1955) [Pakistan] 252
The Dog of Titwal
Amrita Pritam (b. 1919) [India] 257
The Weed
Oodjeroo Noonuccal (b. 1920) [Australia] 263
Municipal Guam
Mochtar Lubis (b. 1922) [Indonesia] 264
Harimau!
Nissim Ezekiel (b. 1924) [India] 277
The Night of the Scorpion
Pramoedya Toer (b. 1925) [Indonesia] 279
Inem
Mahasweta Devi (b. 1926) [India] 290
Dhowli
Thich Nhat Hanh (b. 1926) [Vietnam] 312
The Pine Gate
Jayanta Mahapatra (b. 1928) [India] 320
30 January 1982: A Story (Poem)
Hyllus Maris (b. 195?) [Australia] 322
Spiritual Song of the Aborigine
Abdullah Hussain (b. 1931) [Pakistan] 323
The Tale of the Old Fisherman
Tan Kong Peng (b. 1932) [Singapore/Malaya] 331
A Jungle Passage
Ranjini Obeyesekere (b. 1933) [Sri Lanka] 337
Despair
Edwin Thumboo (b. 1933) [Singapore/Malaya] 341
Christman Week 1975
Kevin Gilbert, Wiradjuri (b. 1933) [Australia] 343
Kiacatoo
Kamala Das (b. 1934) [India] 345
An Introduction
Anita Desai (b. 1937) [India] 348
A Devoted Son
Patricia Grace (b. 1937) [New Zealand] 356
It Use to Be Green Once
Khalida Asghar (b. 1938) [Pakistan] 361
The Wagon
Shashi Deshpande (b. 1938) [India] 371
My Beloved Charioteer
Mudrooroo Nyoongah (Colin Johnson, b. 1938) [Australia] 378
Poem Two
Catherine Lim (b. 1942) [Singapore/Malaya] 380
Ah Bah's Money
Witi Ihimaera (b. 1944) [New Zealand] 384
Yellow Brick Road
Salman Rushdie (b. 1947) [India] 390
An Iff and a Butt
Sally Morgan (b. 195?) [Sri Lanka] 391
Arthur Corunna's Story
M. A. Nuhman (b. 195?) [Sri Lanka] 400
Murder (Poem)
Part 3. The Middle East 417
Introduction
Kahlil Gibran (1883-1931) [Lebanon] 422
On Children
Nazim Hikmet (1902-1963) [Turkey] 423
12 December 1945
Sadiq Hidayat (1903-1951) [Iran] 425
Seeking Absolution
Ya'akob Yehoshua (b. 1905) [Israel] 433
Childhood in On Jerusalem
Fadwa Tuqan (b. 1917) [Palestine] 435
Song of Becoming
Simin Danishvar (b. 1921) [Iran] 437
The Half-Closed Eye
Etel Adnan (b. 1925) [Lebanon] 459
In the Heart of the Heart of Another Country
Ahmad Shamlu (b. 1925) [Iran] 457
The Gap
Abdall ah al-Baraduni (b. 1929) [Yemen] 458
Answers to the One Question
Shimon Ballas (b. 1930) [Israel] 459
Imaginary Childhood
Mohammed Khudayyir (b. 193?) [Iraq] 466
Clocks Like Horses
Foarugh Farrokhzad (1935-1967) [Iran] 476
The Wind-up Doll
Ghassan Kanafani (1936-1972) [Palestine] 479
The Slave Fort
Hushang Golshiri (b. 1937) [Iran] 483
The Wolf
Abd al-Aziz al-Maqalih (b. 1939) [Yemen] 490
Sanaa is Hungry
Muhammed Abd al-Wali (1940-1973) [Yemen] 491
Abu Rubbiya
Saeed Aulaqi (b. 1940) [Yemen] 496
The Succession
Mahmoud Darwish (b. 1942) [Palestine] 503
Guests on the Sea
Erez Bitton (b. 1949) [Israel] 506
Something on Madness
Fawziyya Abu Khalid (b. 1955) [Saudi Arabia] 508
A Pearl
Shelley Elkayam (b. 1956) [Israel] 509
The Crusader Man
Abd al-Hameed Ahmad (b. 1957) [United Arab Emirates] 510
Khlalah SEL
Part 4: Africa 521
Introduction
Jomo Kenyatta (1891-1978) [Kenya] 526
Gentlemen of the Jungle
Jean-Joseph Rabearivelo (1901- 1937 [Madagascar] 529
Flute Players
Yahya Haqqi (b. 1905) [Egypt] 531
The Tavern Keeper
Leopold Sedar Senghor (b. 1906) [Senegal] 534
Prayer to Masks
Naguib Mahfouz (b. 1911) [Egypt] 536
Half-a-Day
Es'Kia Mphahlele (b. 1919) [South Africa] 539
Interlude
Amos Tutuola (b. 1920) [Nigeria] 545
The Gentlemen of Complete Parts
Gabriel Okara (b. 1921) [Nigeria] 553
You Laughed and Laughed and Laughed
Augustinho Neto (1922-1979) [Angola] 555
Kinaxixi
Nadine Gordimer (b. 1923) [South Africa] 557
Good Climate, Friendly Inhabitants
Christopher Okigbo (1923-1967) [Nigeria] 568
Come Thunder
Sembene Ousmane (b. 1923) [Senegal] 569
March of the Women
Dennis Brutus (b. 1924) [South Africa] 582
Nightsong: City
Camara Laye (1924-1980) [Guinea] 584
The Goldsmith
Efua Sutherland (b. 1924) [Ghana] 589
New Life at Kyerefaso
Can Themba (b. 1924-1968) [South Africa] 595
The Suit
Noemia de Sousa (b. 1927) [Mozambique] 604
If You Want to Know Me
David Diop (b. 1927) [Senegal] 606
The Vultures
Yusuf Idris (b. 1927) [Egypt] 607
The Chair Carrier
Chinua Achebe (b. 1930) [Nigeria] 612
The Madman
R. Sarif Easmon (b. 1930) [Sierra Leone] 619
Bindeh's Gift
Grace Ogot (b. 1930) [Kenya] 628
The Rain Came
Nawal El Saadawi (b. 1931) [Egypt] 637
She Has No Place in Paradise
Flora Nwapa (1931-1993) [Nigeria] 643
The Chief's Daughter
Tchiokaya UTam'si (1931-1988) [Congo] 651
Brush-fire
Athol Fugard (b. 1932), John Kani (b. 1943), and Winston Ntshona
(b. 1942?) [South Africa] 653
The Island
Okot p'Bitek (1932-1982) [Uganda] 679
Song of Lawino
Lenrie Peters (b. 1932) [Gambia] 695
Isatou Died
Kofi Awoonor (b. 1935) [Ghana] 696
The Weaver Bird
J. P. Clarke Bekederemo (b. 1935) [Nigeria] 698
The Leader
Wole Soyinka (b. 1935) [Nigeria] 699
The Strong Breed
Costa Andrade (b. 1936) [Angola] 729
Fourth Poem of the Canto of Accusation
Assia Djebar (b. 1936) [Algieria] 730
There is No Exile
Bessie Head (1937- 1988) [South Africa] 740
The Collector of Treasures
Keorapetse Kgositsile (b. 1938) [South Africa] 757
The Air I Hear
Ngugi Wa Thiong'o (b. 1938) [Kenya] 758
Wedding at the Cross
Ayi Kwei Armah (b. 1939) [Ghana] 770
Halfway to Nirvana
Molara Ogundipe- Leslie (b. 1940) [Nigeria] 775
Song at the African Middle Class
Ama Ata Aidoo (b. 1942) [Ghana] 777
In the Cutting of a Drink
Syl Cheney Coker (b. 1945) [Sierra Leone] 783
The Philosopher
Jack Mapanje (b. 1945) [Malawi] 785
On African Writing
Charles Mungoshi (b. 1947) [Zimbabwe] 786
Shadows on the Wall
Zoe Wicomb (b. 1948 [South Africa] 791
You Can't Get Lost in Cape Town
Part 5. Latin America and The Caribbean 807
Introduction
Antonio Gonzalez Bravo (1885-1962) [Bolivia] 816
Kori Pilpintu
Gabriela Mistral (1889-1957) [Chile] 817
Song
Claude McKay (1890-1948) [Jamaica] 819
Crazy Mary
Cesar Vallejo (1892-1938) [Peru] 825
The Eternal Dice
Jesus Lara (1898-1980) [Bolivia] 827
Incallajta Jarahui
Miguel Angel Asturias (1899-1974) [Guatemala] 828
Legend of “El Cadejo 170
Jorge Luis Borges (1899-1980) [Argentina] 833
The Gospel According to Mark
Carlos Drummond De Andrade (1902- 1967) [Brazil] 839
An Ox Looks at Man
Nicolas Guillen (b. 1902) [Cuba] 840
Arrival
Silvina Ocampo (b. 1903) [Argentina] 842
The Servants' Slaves
Alejo Carpentier (1904-1980) [Cuba] 849
Like the Night
Pablo Neruda (1904-1973) [Chile] 860
The heights of Macchu Picchu III; The Chilean Forest
Jacques Roumain (1907-1944) [Haiti] 870
Delira Deliverance
Joao Guimaraes Rosa (1908-1967) [Brazil] 878
The Third Bank of the River
Juan Bosch (b. 1909) [Dominican Republic] 883
The Beautiful Soul of Don Damian
Juan Carlos Onetti (b. 1909) [Uruguay] 890
A Dream Come True
Maria Luisa Bombal (1910?-1980) [Chile] 901
Sky, Sea, and Earth
Rachel de Queiroz (b. 1910) [Brazil] 905
The Tangerine Girl
Jorge Amado (b. 1912) [Brazil] 910
Of Dice and Unshakable Principles
Leon Damas (1912-1978) [French Guiana] 915
Poems
Walter Montenegro (1912-1991) [Bolivia] 917
El Pepino
Aime Cesaire (b. 1913) [Matinique] 924
To Africa
Julio Cortazar (1914-1984) [Argentina] 927
Our Demeanor at Wakes
Julia de Burgos (1914-1958) [Puerto Rico] 931
To Julia de Burgos
Octavio Paz (b. 1914) [Mexico] 934
Return
Joseph Zobel (b. 1915) [Martinique] 937
Mr. Medouze
Murilo Rubiao (b. 1916) [Brazil] 942
Taleco, The Rabbit
Juan Rulfo (1918-1986) [Mexico] 949
Tell Them Not to Kill Me
Wilson Harris (b. 1921) [Guyana] 955
Yurokon
Rubem Fonseca (b. 1922) [Brazil] 967
Night Drive
Jose Donoso (b. 1924) [Chile] 969
Paseo
Lygia Fagundes Telles (b. 1924) [Brazil] 983
The Ants
Ernesto Cardenal (b. 1925) [Nicaragua] 990
The Filibusters
Rosario Castellanos (1925-1978) [Mexico] 992
Daily Round of the Spinster
Martin Carter (b. 1927) [Guyana] 994
Listening to the Land
Carlos Fuentes (b. 1928) [Mexico] 995
Chac-Mool
Gabriel Garcia Marquez (b. 1928) [Colombia] 1004
The Handsomest Drowned Man in the World
Derek Walcott (b. 1930) [Saint Lucia] 1009
I Once Gave My Daughters...; The Season of Phantasmal Peace
V.S. Naipaul (b. 1932) [Trinidad] 1012
My Aunt Gold Teeth
Manuel Puig (1932-1990) [Argentina] 1020
Kiss of the Spider Woman
Austin Clarke (b. 1934) [Barbados] 1060
Leaving This Island Place
Earl Lovelace (b. 1935) [Trinidad] 1067
The Fire Eater's Journey
Mario Vargas Llosa (b. 1936) [Peru] 1077
A Shadow of Gnats
Maryse Conde (b. 1935) [Guadaloupe] 1087
Mira
Nelida Pinon (b. 1937) [Brazil] 1097
Brief Flower
Simone Swarz-Bart (b. 1937) [Guadaloupe] 1103
Toussine
Olive Senior (b. 1941) [Jamaica] 1114
Do Angels Wear Brassieres?
Cesar Verduguez (b. 1941) [Bolivia] 1124
The Scream in Your Silence
Isabel Allende (b. 1942) [Chile] 1135
Our Secret
Antonio Cisneros (b. 1942) [Peru] 1139
After the Battle of Ayacucho: A Mother's Testimony
Rosario Ferre (b. 1942). [Puerto Rico] 1141
The Youngest Doll
Ana Lydia Vega (b. 1946) [Puerto Rico] 1146
ADJ Inc.
Rigoberta Menchu (b. 1951) [Guatemala] 1155
The Death of Dona Petrona Chona
Opal Palmer Adisa (b. 1954) [Jamaica] 1159
Duppy Get Her
Appendix 1: Bibliography of Additional Primary and Secondary Reading
Alternate Thematic Table of Contents
Alternate Table of Contents by Genre
Index by Author, Title, and First Line of Poems